Classic Home Desserts
By:Richard Sax
Published on 2010-11-09 by Houghton Mifflin Harcourt
“More a story of the pleasures of real dessert-making than anything yet written.”—M.F.K. Fisher For this monumental collection, Richard Sax devoted more than a decade to searching out and perfecting more than 350 of the world’s most beloved desserts, “the ones made at home by mothers and grandmothers rather than by professional pastry chefs.” Every uncomplicated homespun classic is here: cobblers and crisps, cakes and cookies, puddings and soufflés, pies and pastries, ice creams and sauces—nineteen chapters in all. Sax’s versions are justifiably legendary among accomplished bakers: Traditional Two-Berry Buckle • Chocolate Cloud Cake • Bon Ton’s New Orleans Bread Pudding with Whiskey Sauce • Reuben’s Legendary Apple Pancake • Best-Ever Pumpkin Pie • Schrafft’s Hot Fudge Sauce. Sidebars with every recipe—profiles of cooks, engaging recollections of favorite desserts, quotations from hundreds of literary works, and excerpts from old recipes—show how sweets are indelibly woven into the texture of our lives.
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Book which was published by Houghton Mifflin Harcourt since 2010-11-09 have ISBNs, ISBN 13 Code is 9780547504803 and ISBN 10 Code is 0547504802
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Colm Tóibín, all the award-winning publisher of The particular Graspand Brooklyn, transforms this awareness on the advanced connections involving daddies along with sons—exclusively these concerns relating to the literary leaders Oscar Wilde, Wayne Joyce, W.B. Yeats, along with ones own fathers. Wilde loathed his your dad, despite the fact regarded that they were considerably alike. Joyce's gregarious father had her young man provided by Eire resulting from your boyfriend's volatile composure not to mention drinking. While Yeats's papa, the cougar, was first apparently a great conversationalist whoever yak ended up being far more slick when compared to the works of art this individual produced. All these well-known males and then the dads who seem to helped profile these folks arrive surviving during Tóibín's retelling, just like Dublin's colored inhabitants.
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